Mare Liberum: or, The Other Island

Pierre Jeanneret and Le Corbusier in pedal boat in Chandigarh, India c.1951–70
Installation view of Pédalo (Jeanneret), 2015
Public boatbuilding workshop
Installation view
Public boatbuilding workshop
Public boatbuilding workshop
Public boatbuilding workshop
Public boatbuilding workshop
Installation view of Punt, 2015.
Public boatbuilding workshop
Installation view of Fountain, 2015
Installation view of Fountain, 2015
installation view of Paper Skiff (Le Massicot), 2012
Installation view of Dory (Elizabeth Rush), 2012
Artist Talk with Mare Liberum and Max Liboiron
Public voyage on the Mystic River
Public voyage on the Mystic River
Public voyage on the Mystic River
Public voyage on the Mystic River
Public voyage on the Mystic River
On Water Talk on the Mystic River
On Water Talk on the Mystic River
Public voyage on the Mystic River
Public voyage on the Mystic River

Pierre Jeanneret and Le Corbusier in pedal boat in Chandigarh, India c.1951–70

Original photograph by Suresh Sharma.

Courtesy Fonds Pierre Jeanneret Collection, Canadian Centre for Architecture

Installation view of Pédalo (Jeanneret), 2015

Public boatbuilding workshop

Installation view

Public boatbuilding workshop

Public boatbuilding workshop

Public boatbuilding workshop

Public boatbuilding workshop

Installation view of Punt, 2015.

Plywood, pine, house paint, construction adhesive, screws, handmade oars.

Edition of 6.

Public boatbuilding workshop

Installation view of Fountain, 2015

Installation view of Fountain, 2015

installation view of Paper Skiff (Le Massicot), 2012

Installation view of Dory (Elizabeth Rush), 2012

Artist Talk with Mare Liberum and Max Liboiron

Public voyage on the Mystic River

Public voyage on the Mystic River

Public voyage on the Mystic River

Public voyage on the Mystic River

Public voyage on the Mystic River

On Water Talk on the Mystic River

On Water Talk on the Mystic River

Public voyage on the Mystic River

Public voyage on the Mystic River

Pierre Jeanneret and Le Corbusier in pedal boat in Chandigarh, India c.1951–70 thumbnail
Installation view of Pédalo (Jeanneret), 2015 thumbnail
Public boatbuilding workshop thumbnail
Installation view thumbnail
Public boatbuilding workshop thumbnail
Public boatbuilding workshop thumbnail
Public boatbuilding workshop thumbnail
Public boatbuilding workshop thumbnail
Installation view of Punt, 2015.  thumbnail
Public boatbuilding workshop thumbnail
Installation view of Fountain, 2015 thumbnail
Installation view of Fountain, 2015 thumbnail
installation view of Paper Skiff (Le Massicot), 2012 thumbnail
Installation view of Dory (Elizabeth Rush), 2012 thumbnail
Artist Talk with Mare Liberum and Max Liboiron thumbnail
Public voyage on the Mystic River thumbnail
Public voyage on the Mystic River thumbnail
Public voyage on the Mystic River thumbnail
Public voyage on the Mystic River thumbnail
Public voyage on the Mystic River thumbnail
On Water Talk on the Mystic River thumbnail
On Water Talk on the Mystic River thumbnail
Public voyage on the Mystic River thumbnail
Public voyage on the Mystic River thumbnail
 thumbnail

A photograph taken in 1950 shows Le Corbusier and his cousin Pierre Jeanneret in a pedal boat in Chandigarh, India (see publication below). It is a compelling image of the renowned architect and the designer on a visibly makeshift vessel readying to embark across Sukhna Lake. The history of this photograph and boat are uncertain. The scene, however, is endearingly playful, as if Le Corbusier and Jeanneret had just discovered a newfangled plaything—watercraft.

This image is a departure point for Mare Liberum’s exhibition and research residency at the Carpenter Center entitled or, The Other Island. Based in Brooklyn, Mare Liberum (or “The Free Seas”) is a collective that uses exhibitions, workshops, publications, and river voyages to guide inquiries into the environmental conditions and histories of waterways. For this presentation, they organized workshops for building punts—flat-bottom boats with a square bow used to transport cargo. Boatbuilding is the primary point of entry for their work, with past project designs ranging from ocean-crossing rafts, to boats made of paper, to kayaks produced with bamboo and repurposed museum banners.

The exhibition title is taken from Michel Tournier’s novel Friday, or, The Other Island, a retelling of the Daniel Defoe classic, Robinson Crusoe. In Tournier’s version, Crusoe vacillates between “civilization” and a return to a state of nature. With our current fixation on rising sea levels, forced migration of island nations, and ocean acidification, we are reminded that the human footprint is indelibly recorded on planet Earth.

or, The Other Island considers these scenarios through discussions of local water ecosystems, pollution, and neglect in relation to the City of Boston and its low-lying neighborhoods and waterways.

Each day from 10 am to 3 pm from Sep 3–10, the public is invited to take part in a participatory boatbuilding session on the Carpenter Center’s terrace. No building knowledge necessary. As the culmination of the residency, a public voyage and field trip down the Mystic and Chelsea River will take place on Sat, Sep 12.

Organized by James Voorhies, John R. and Barbara Robinson Family Director

In Residence
Sep 1–11, 2015

Public Boatbuilding Workshops 
Sep 3–10, 10 am–5 pm

On Water: Lunchtime Talks
Silvia Benedito
 + Pierre Bélanger
Sep 8 + 10, 12pm

Artists Talk with Mare Liberum and Max Liboiron + Exhibition Reception
Fri, Sep 11, 5:30 pm

Public Launch and Voyage
Sat, Sep 12, 9:30 am–4 pm
Mystic and Chelsea rivers

All activities are free and open to all.

Mare Liberum
Mare Liberum is a collective of visual artists, designers, and writers who formed around a shared engagement with New York’s waterways in 2007. As part of a mobile, interdisciplinary, and pedagogical practice, we design and build boats, publish broadsides, essays, and books, invent water-related art and educational forums, and collaborate with diverse institutions, artists, and theorists to produce public talks, participatory works, and voyages as platforms to catalyze social change.

In 2015–17, Mare Liberum is engaged in a longform research and participatory art project, “Water Rites,” spanning multiple sites and instigating dialogues with river and watershed communities threatened by sea level rise, the encroachment of extreme energy industries, micro-plastic pollution, depleted fish and wildlife stores, water acidification, climate change, and other pressing issues.

Mare Liberum has presented work at Bureau for Open Culture at MASS MoCA, the Neuberger Museum at SUNY Purchase, Maker Faire, the PsyGeoConflux Festival, Parsons/The New School, Boston Center for the Arts, EFA Project Space, Smack Mellon, Alexandraplatz, and the Antique Boat Museum, and has been written about in Hyperallergic, The Brooklyn Rail, Bad at Sports, The Village Voice, and Vice Magazine, among others.

Flickr photostream

Exhibition Guide with descriptions, gallery plan, program and checklist

Mare Liberum was founded by Benjamin Cohen, Dylan Gauthier and Stephen von Muehlen, and in its current iteration includes Jean Barberis, Sunita Prasad, and Kendra Sullivan

Curator

James Voorhies

Institution

September 1–27, 2015

Carpenter Center for the Visual Arts
Harvard University
24 Quincy Street
Cambridge, MA

Made possible with funding and staff of Harvard University's Carpenter Center for the Visual Arts